Patrick Link:
I love how on blogs you can link to stuff. I wish I could that in my plays. It provides an excellent opportunity for added subtext. Even a great work like The Seagull could benefit from hyperlinks. Take a look:
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MEDVEDENKO: Why do you always wear black?
MASHA: Because I'm in mourning for my life. I'm not happy.
MEDVEDENKO: Why not? (Perplexed) I don't understand why not. You're in good health; your father is...well, he's not rich, but he's pretty well off. I'm in a lot worse shape than you. I make twenty-three rubles a month, that's before payroll deductions, and I'm not in mourning. (Sits)
MASHA: It has nothing to do with money. You can still be poor and still be happy.
(Scene)
See? Isn't that cool?
(patrick's bloodworks reading is June 23 @SEAPORT.)
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4 comments:
You amaze me.
i've actually been thinking about how to incorporate hyperlink format into stage language. the increasing use of cutaways shows that we are looking at text/time/space differently. check out "the intelligent design of jenny chow" for a good example.
oh plink. why you so good?
That is fucking HYSTERICAL.
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