It is quite a remarkable play.
we seem to thrive on the challenge. We write ten minute plays within a week, inspired by names of actors/titles/songs drawn from a hat?
We write plays about talking roosters, teenaged girls in extreme bereft who are going crazy over it, and father-daughter relationships (that if you don't pay attention to the heart of this particular play, the father-daughter relationship play, you may shake your head in disapproval at what could be an incestuous relationship). We write plays about the awesome daughter of Aaron Burr and plays about dead Chinese people seeking the love of a living person totally with the intention of seducing her to death so that they can be together.
We write plays with a ten-paged scene that requires one BADASS actress to duel it out with herself as two people. We write plays that are so tender you just want to hug it and call it, "Sully". We write plays about men who are obsessed with dolls. Plays about pre-pubscent girls who just wanna sing and who just want their dads to be awesome people.
We write plays about sluts who just want to exist as their true authentic selves. Without all of the societal bullshit. But just existing. We write plays about biking across the United States of America with a group of other bikers (and sometimes sometimes we obsess over what this play will look like because we really really wanna see it).
we write plays where dinosaurs sing about shit. Because they have to.
It's challenging. Yes.
And Patrick Link has risen to the challenge.
He wrote a Sloan play.
It's on the mainstage. It is going to be awesome.
Imagine that the thing that you live for is killing you. You wake up each day to practice this thing that you love. That is knocking your brain around. Causing you to forget what you're getting up each day for. It's not just that you're good at it. But you love it. And there is a major cost for this love. For this talent.
Patrick Link has written a play that combines our universal love of both science and sports with heart. Sprinkle in some ethical concerns and you've carved out a real challenge for yourself.
It opens tomorrow. Go see this play.
Ensemble Studio Theatre and The Alfred P. Sloan Foundation presents
by Patrick Link
Directed by William Carden*
“When you win, nothing hurts.” – Joe Namath
Ex- NFL linebacker Duncan Troy played with the greats, and tackled them to the ground. When his son-in-law, a Pro Bowler himself, dies under strange circumstances, Troy and his widowed daughter struggle with their own culpability, and whether the brain trauma he suffered in life was the price of football greatness.
with Ron Canada†, Tim Cain†, Alexander Gemignani† & Nedra McClyde*†
Assistant Director – Francesca Di Cesare
Production Stage Manager – Danielle Buccino†
Assistant Stage Manager – Kelly Ruth Cole†
Sound Designer - Janie Bullard
Lighting Designer – Chris Dallos
Costume Designer – Suzanne Chesney
Set Designer – Jason Simms
Video Designer - David Tennent
Props Manager – Kate Stack
Technical Director - Derek Dickinson
Wardrobe Supervisor - Eileen Lalley
Tickets and dates below:
Dates: April 18 - May 13
Wednesday - Monday @ 7pm, Saturdays @ 2pm & 7pm, Sundays @ 5pm
Student Tickets: $20 must show valid ID at door
Senior Tickets: $20 must show valid ID at door
Pick Your Price Previews: April 18 - 23
$20 Previews: April 25 - 29
BUY TICKETS HERE: